FAITH WILDING
3037 W. Logan Blvd. Apt. 3
Chicago, IL 60647
faithwilding@cs.com
fwildi@saic.edu
Home Page: http://faithwilding.refugia.net
SubRosa: http://cyberfeminism.net
Performance Department
School of the Art Institute of Chicago
37 S. Wabash St.
Chicago, IL 60603
312 443 3782
1973
MFA, School of Fine Arts, California Institute of the Arts (Feminist art; Performance;
2D; Critical Studies).
1969-71 Postgraduate Studies in Art and Art History, California
State University, Fresno.
1968 BA (Honors, English) University of Iowa, Iowa City, (Literature,
Comparative Literature, Blake Studies).
2002-present
Associate Professor of Performance, School of Art Institute, Chicago.
1999-2002 Associate Professor of Art/Director of Art Dept.
Carlow College, PGH.
1999 (Spring) Guest Professor, Akademie der Bildenden Kuenste,
Nuernberg, Germany
.
1998-present Fellow, Studio for Creative Inquiry, Carnegie
Mellon University.
1995-98 Visiting Assistant Professor of Art, School of Art,
Carnegie Mellon U.
1992-present Visiting Graduate Faculty, MFA Visual Art, Vermont
College of the Union Institute and University.
1988-95 Asst. Prof. of Art (Adjunct) Cooper Union School of
Art, NYC.
1989-90 Adjunct Prof. of Art at Parson’s School of Design;
and at New York University, Tisch School of the Arts.
1983-94 Associate Producer/Co-Director of Voices International
(Radio Drama and Sound Art for National Public Radio).
1983-85 Assistant Producer, The Spider’s Web, WGBH-FM, Boston.
1982 Visiting Assistant Professor of Art, Claremont Graduate
School, CA.
1980-82 Visiting Assistant Professor of Art, Scripps College,
and Claremont Graduate School, Claremont, CA.
1976-80 Assistant Professor of Art, Immaculate Heart College,
Los Angeles, CA.
1973-76 Instructor (various courses) San Francisco Art Institute;
California State University, Fresno, and CSUF, Fullerton.
Exhibitions,
Installations, Performances:
2003
“YOUGenics: Exploring the Social Implications of Genetic Technologies,” (Performance)
Southwest Missouri State University, Art and Design Gallery, Springfield, Missouri.
“International Markets of Flesh,” (Performance), Ex Teresa Arte, Mexico City.
“Cloning Cultures,” (Performance), LASALLE SIA School of Art, Singapore.
“Matrixial Technologies,” (Artist Residency), National University of Singapore.
“The Spaces Between Us,” (Exhibition/Performance), Kunsthaus, Dresden
2002
“Biopower Unlimited!,” (Performance) with subRosa, Bowling Green State University,
Ohio.
“Sex and Gender in the Biotech Century,” (Performance) with subRosa, St. Mary’s
College, Maryland.
“US Premium Grade AAA Eggs,” (Performance) with subRosa, Bowling Green State
University, Ohio.
“Virtual Maintenance,” (Internet and Live Performance) with Marion von Osten,
Institut fuer Buechkunst und Grafik, Leipzig, Germany.
2001
“Expo EmmaGenics,” (Commissioned Performance) with subRosa, Intermediale, Mainz,
Germany.
“subRosa Projects,” International Sculpture Conference, PGH, PA.
“Double/Shift,” (Commissioned Performance), Custom House, Singapore.
“Knowing Bodies/Embryoworld,” (Painting Installation), SNACC, Winnipeg.
“Duration/Maintenance,” (Performance), Art and Design Institute, Zurich.
“Vulva de/reConstructa,” (Video Screening), Akademie der Bildenden Kuenste,
Vienna, Austria; Kunsthaus, Bremen, Germany.
Poster Performance, Very Cyberfeminist International, Hamburg, Germany.
2000
“Die Verletzte Diva,” (Drawing Installation), Taxispalais, Innsbruck.
“Knowing Bodies,” (Installation), Miller Gallery, Carnegie Mellon.
“Cult of the New Eve” (Performance) with CAE, Museum of Contemporary Art, Toulouse,
France; Expo 2000, Brussels; Steirischer Herbst, Graz, Austria.
“Sex and Gender Ed in the Biotech Century,” (Commissioned Performance), Digital
Secrets Think Tank, Arizona State University, Tempe, AZ.
1999
“Duration Performance,” Rensselear Institute of Technology, NY.
“Cult of the New Eve,” (Performance) with CAE, Zentrum fuer Kunst und Medien,
Karlsruhe, Germany; and at Festival Atlantico, Portugal.
1998 “Embryoworld,” (Installation) Art Gallery, SUNY, Old Westbury, NY.
“Duration Performance: The Art of Data Maintenance,” (Performance/Lecture),
Ars Electronica Center, Linz, Austria.
l997
“Embryoworld,” (Installation) for Terra Firma, University of Maryland, College
Park.
“Embryoworld,” (Installation), University of Maryland, Salisbury, MD.
1996
“Womb Room,” (Installation) for Divison of Labor:Women’s Work in Contemporary
Art. Museum of Contemporary Art, Los Angeles, CA.
“Fashions of Feminism,” Reed College Museum. Reed College, Portland.
1995 “Womb Room and Womanhouse,” (Installation), Division of
Labor: Women’s Work in Contemporary Art, Bronx Museum of Art, NY.
1990 “Frontispiece,” (Artist Books), Minnesota Center for Book
Arts, Minneapolis, MN.
1987 “Flux Performance,” (Performance), Academy of Art, Warsaw,
Poland.
1989 “Daily Text,” (Etchings), Printmaking Workshop, NYC..
1983 “Scriptorium,” (Installation) for At Home, Long Beach
Museum of Art, Long Beach, CA.
1982 “Natural Parables,” (Paintings), Whitman College, WA.
1981
“Leaf,” (Painting Installation), Libra Gallery, Claremont Grad School.
“The Incredible Shrinking Lunch,” (Performance), LACE gallery, Los Angeles,
CA.
“Virginia and Emma: A Vision of Art and Politics,” (Performance), Orange County
Contemporary Arts Center, Los Angeles, CA.
“Haunted Womanhouse,” (Environment/Performance), Los Angeles.
1980
“Invitation to a Burning” (Installation / Performance), Woman’s Building, Los
Angeles, CA.
“Seedworks,” (Performance), United Nations Conference on Women, Copenhagen,
Denmark.
“HungerStrike,” (Performance), Contemporary Arts Center, New Orleans, Louisiana.
1979
“Imago Femina,” (Paintings/Commissioned Live Performance), Douglass College,
Rutgers University, NJ.
1978
“Bird of Paradise,” (Paintings/Drawings), University of California, Irvine,
CA.
“Works of Nature,” (Painting Installation), Gallery 8, Pasadena, CA.
1976
“Forms of Aspiration,” (Prints/Drawings), Canis Gallery, Los Angeles, CA.
“Leaf Goddesses,” (Paintings), Woman’s Building, Los Angeles, CA.
“Emergences,”(Paintings/Constructions), Gallery 25, Fresno, CA.
1975 “Cracks in the Carapace,” (Paintings), Grandview Gallery, Los
Angeles, CA.
1973 “Chambers,” (Installation), MFA show, Cal Arts, Los Angeles, CA.
1972 “Waiting,” (Performance), Womanhouse, Los Angeles, CA.
1971 “Sacrifice”(Installation/Performance), Feminist Studio, Fresno,
CA.
1971-72 Collaborative Performances with Feminist Art Program at UC
Berkeley, Oakland Art Museum, and California State University at Fullerton.
Selected Group Exhibitions:
2003
“Field of Actions,” (Video Screening of “Expo EmmaGenics” and “Sex & Gender”),
The Bass Museum of Art, Miami Beach, Florida
2002 “Activist Art,” subRosa Installation at Cornish College
of Art, Seattle
1999 subRosa Campaign (Performance), Next Five Minutes, Amsterdam.
1998 “Duration Performance” (Computer Animation), Work &
Culture show, Landesmuseum, Linz, Austria.
1997
“Cyberfeminism and the Body” (Multimedia Presentation), First Cyberfeminist
International, Hybrid Workspace, Documenta X, Kassel, Germany.
“Body,”(Prints/Collages), Samuel Lallouz Gallery, Montreal,Canada.
“Interiors,”(Installation), Pittsburgh Center for the Arts, PA.
“Flesh Machine,” (Performance with Critical Art Ensemble) at Public Netbase,
Vienna, Austria, and in Graz, Austria, and in Ljubliana, Slovenia.
“re-Tracing,” (Installation), Center for Art and Architecture, Los Angeles.
1996
“Sexual Politics,”(Paintings), Armand Hammer Museum, UCLA.
“Feminist Directions,”(Collages/ Wound Installation), Sweeney Gallery, UC Riverside,
CA.
“8 Artists,” (Paintings), Brew House, Pittsburgh, PA.
1995
“The House Project,”(Installation), Museum of Contemporary Art, Los Angeles,
CA.
“Next of Kin,” (Drawings), Bronwyn Keenan Gallery, NYC.
1994
“Six Artists,” (Drawings/Collages), Bronwyn Keenan Gallery, NYC.
“Women’s Work,”(Collages), Roger Smith Gallery, NYC.
“A Decade of Women’s Performance Art,” Los Angeles, CA.
1993
“Immanent Domain,” (Collages), The Drawing Center, New York.
“Cadavre Exquis,” (Collage), The Drawing Center, New York, and traveled to the
Corcoran Gallery of Art, The Foundation for Contemporary Art (Mexico City),
The Santa Monica Museum, and the Forum (St. Louis, MO).
“The Abject in American Art” (video) Whitney Museum of Art, NY.
“Things to make our eyes happy,” (Collages), Muranushi Lederman Gallery, NY.
1992
“20th Anniversary Show,” Douglass College, Rutgers University, NJ.
“Sexual Harrassment,” (Collages), Triplex Gallery, NYC..
“10 Steps” (Painting Installation), Horodner Romley Gallery, NYC.
1990
“Sex and Subtext,”(Paintings), Ceres Gallery, NY.
1989
“Symbolism,” (Paintings), Cooper Union School of Art, NYC.
“Artists and the Book,”(Bookworks), NY Center for Book Arts.
1988
“Books and Pages,” (Bookworks), Cooper Union, NY.
“Leaves,”(Painting Installation), Herter Gallery, Mt. Holyoke, MA.
1987
“Passages,” (Paintings), Fresno Art Museum, Fresno, CA.
1986
“Important Americans,”(Paintings) ACA Gallery, NYC.
“Let’s Play House,” (Sculpture), Bernice Steinbaum Gallery, NYC.
1985
“State of the Art,” (Paintings),Federal Reserve Bank, Boston, MA.
“Animal as Metaphor,” (Paintings), Clark Gallery, MA.
1984
“Emerging Massachusetts Painters,” Boston Museum of Fine Arts, Boston, MA.
“Associates Show” (Bookworks), AIR Gallery, NYC.
1983
“Natural Parables,”(Installation), Occidental College, Los Angeles,
l982
“Visiting Artists,”(Installation), Montgomery Gallery, Pomona College.
l981
“Feminist Art of the 80’s,” Center for the Arts, Muhlenberg College, PA.
“Women Artists’ Retrospective,” Rutgers University, NJ.
“Heresies,” (Bookworks), Grey Art Gallery, NYC.
l980
“A Decade of Women’s Performance Art,” Contemporary Arts Center, New Orleans,
LA.
“Artist as Magus,” (Installation), Woman’s Building. Los Angeles, CA.
l979
“intimate concerns,” University of New Mexico, Albuquerque, NM.
l978
“The Center,” (Paintings), Anhalt/Barnes Gallery, Los Angeles, CA.
“Metamagic,” (Paintings), UC Dominguez Hills, CA.
“XX+,” (Installation), LACE Gallery, Los Angeles, CA.
l977
“Contact: Women and Nature,” (Paintings), Greenwhich Museum, CT. (curated by
Lucy Lippard).
“20 Artists,” (Drawings), Arco Plaza, Los Angeles, CA.
l975
“Woman as Viewer,” (Paintings), Winnipeg Museum of Art, Canada.
“Artist’s Choice,” (Paintings), Rental Galleries, LACMA, CA.
“20 Perspectives,” Floating Wall Gallery, Santa Ana, CA.
“Female Imagery,” Clark Humanities Museum, Scripps College, Claremont, CA.
l972
“Womanhouse,” (Feminist Collaborative Environment), Mariposa
Street, Los Angeles, CA.
“Female Sexuality, Female Identity,” Womanspace Gallery, Los Angeles.
“National Women’s Invitational,” SUNY, Buffalo.
l971
“Slaughterhouse,” (Performance/Film) with Judy Chicago, Fresno, CA.
Media
Work Produced and Exhibited:
2002
Websites: Biopower Unlimited, Expo Emmagenics. Installations.
Screenings of Vulva de/ReConstructa at Akademie der bildenden Kuenste, Vienna;
and Nevada State University, Reno.
2000
“Vulva De/Re Constructa,” Video ( with Christina Hung), Taxispalais, Innsbruck,
Austria.
“SmartMom” WEB Page and Installation with Hyla Willis, MICA, Baltimore; and
University of Montana (Billings, Bozeman, Missoula).
“Sex and Gender Ed Show” WEB page, Digital Secrets, ASU, Tempe.
1999
Video (with OBN) “What is Cyberfeminism?” ZKM, Karlsruhe
1998
“Duration Performance,” (Computer Animation) Work & Culture show, Landesmuseum,
Linz, and at Ars Electronica Center, Linz.
“Society for Reproductive Anachronisms”, Web page, CD-ROM and performance with
Critical Art Ensemble.
l997
“WomEnhouse: Domesticity for the 90’s” WWW pages in collaboration with Los Angeles
Women in Architecture.
“Let’s Make A Baby” electronic children’s book on the new reproductive technologies.
Produced in collaboration with Critical Art Ensemble and
published on CD-ROM by mute. Exhibited at Documenta X, and on the Web.
“Waiting” performance included in “Not for Sale” a video on the history of feminist
art by Laura Cottingham.
Premiered at MOMA, NY, and distributed nationally by Hawkeye Productions.
1996
Writer/Producer:“Drift(hers): A Radio Romance”, 45 minute original radio drama.
Broadcast nationally on NPR and Pacifica Radio. “WomEnhouse” collaborative WWWEB
work with women artists and critics. Exhibited in “Sexual Politics” show, Armand
Hammer Museum, Los Angeles, CA.
1989-91 Co-producer, SOUNDPLAY, a 26-part series of international
radio dramas. Broadcast on National Public Radio and in Europe.
1984-88 Associate Producer, THE BECKETT FESTIVAL OF RADIO PLAYS.
Broadcast nationally in the US, and in Britain, Germany, and Austria.
1989 Writer/Producer, “Hildegard and I,” Original radio drama,
broadcast on National Public Radio and Pacifica Radio.
l987 Writer/Co-Producer, “Hildegard und Ich,” Original radio
drama commissioned, produced, and broadcast by RIAS Berlin, and WDR Cologne.
l984 Producer for original radio works commissioned from Elizabeth
Swados and Susan Griffin. Broadcast on National Public Radio.
1976 “Imago Femina,” Soundpiece commissioned by Douglass College;
broadcast on Pacifica Radio (l978).
l973
“Waiting,” performed for documentary of Womanhouse by KCET-TV, Los Angeles,
and for 45 minute color film Womanhouse
by Johanna Demetrakos. Has been distributed and screened worldwide.
Performs and appears in “Judy Chicago and the California Girls,” film by Judith
Dancoff.
Performs and appears in “Atmosphere,” a color film by Judy Chicago.
Performed “Waiting” on a one-hour special on women artists on Channel 68, Los
Angeles, CA.
Art
in Publications:
2002
“Womb Room,” (Photos and Commentary), One Place After Another, Miwon Kwon (Boston:
MIT Press, 2002).
2000
“Waiting,” (Performance Photo and Text), The Artists’ Body, Eds. Tracey Warr,
Amelia Jones (Phaidon: London, 2000).
“Embryoworld,” (Print) in Art Journal, Fall 2000.
“Smart Mom,” (Drawing) in “Transgenerational Feminism,” Art Journal.
1998 “Metafertility,” Artist pages, New Observations, Summer/Fall,
NY.
1997
Illustrations for Flesh Machine (Critical Art Ensemble) New York: Autonomedia.
Collage (collaboration with CAE) for Tim Druckrey, Electronic Culture. New York:
Aperture.
“Swan Song” collage book cover for Camilla Griggers, Becoming Woman, Minneapolis:
Minnesota.
1996
“Painted Wounds,” Artist Pages, New Observations, New York.
“MEANING from A To Z.” Artist Page. M/E/A/N/I/N/G #19/20.
1995
“Deviant Subjects,” electronic artist pages, CULTRONIX 2, CMU, Pittsburgh.
Artist pages, “Clothing as Subject”, CAA Art Journal, Vol.54, No.1.
l994
Portfolio of images and text, Chelsea 56, New York.
Collages for Long News in the Short Century, #5. New York.
Artist pages,“How many Bad Feminists does it take to screw in a lightbulb?,”
Laura Cottingham, independent publication.
Artist pages, The Therapeutic State, (CAE artist book) Tallahassee.
1981
“Seed Work,” page art, Heresies #13, New York.
“Networks of the Imaginary Mother,” text/image poster with Robin Morgan, New
York.
Artist pages, Women Look at Women (catalog), Muhlenberg College PA.
1978
Chrysalis postcard series, distributed through Chrysalis.
“Images, Women in Art”, photos and text. Creative Woman. Illinois.
“Bird of Paradise”, color poster with text and image, UC Irvine, CA.
1972
Art and Text for special issue of Everywoman on “Women Artists and Female Imagery”.
Produced collaboratively by the Fresno Feminist Art Program. Design: Sheila
De Bretteville.
Selected
Interviews / Biographical / Critical Profiles:
1999 “Faith Wilding and the Enfleshing of Painting”, Amelia
Jones, nparadoxa, (online critical essay)
1997 Lives and Works: Women Artists at Rutgers, by Beryl Smith. Scarecrow
Press. (20 page interview and photos).
Interview on Feminist Art Education, Peg Speirs, Doctoral dissertation, Penn
State, PA.
1981 “Interview with Faith Wilding,” Ruth Askey, Women Artist’s News,
NYC..
1986 Interview with Arlene Raven, Art Papers, Atlanta, GA.
1976 Radio interview on KPFK-FM, Los Angeles, CA.
1975 Biographical profile, Playgirl, by Vickie Hodgetts.
1973 “Chambers,” Arlene Raven, Womanspace Journal. Vol.1, #2.
Publications,
Books:
2003 Domain Errors: Cyberfeminist Practices, Eds. M. Fernandez,
M.M. Wright, F. Wilding. A subRosa Project. (Autonomedia Books: New York, 2003).
1998 READ ME: Asci Culture and The Revenge of Knowledge, Autonomedia
Books, Eds. G. Lovinck, F. Wilding, D. McCarty, P. Schultz, et al.
1977 By Our Own Hands: The History of the Women Artist’s Movement
in Southern California l970-77. Los Angeles: Double X.
Articles in Books:
2003
“Duration Maintenance,”Norm Der Abweichung, Ed. Marion Von Osten (Institut für
Theorie der Gestaltung und Kunst). Zurich: Edition Voldemeer.
Sarai Reader 03: Shaping Technologies,Delhi: Sarai/CSDS.
2002
“Becoming Autonomous,” technics of cyber<>feminisim, Ed. Claudia Reiche
and Andrea Sick. Bremen: thealit Frauen.Kultur.Labor.
2001-02
“Stolen Rhetoric: The Appropriation of Choice by ART Industries.” Klone und
Mutanten.
Ed. Dr. Birgit Richard and Sven Druehl, KunstForum Books, Frankfurt, Germany.
2000-01
“Monstrous Domesticity,” M/E/A/N/I/N/G: An Anthology of Artists’ Writings, Theory,
and Criticism. Ed.
Susan Bee, Mira Schor (Duke University Press: Durham, NC, 2000).
“Next Body,” Feminism and Visual Culture: A Reader .Ed. Amelia Jones. (Routledge,
NY. 2001).
“Waiting” and “Where is Feminism in Cyberfeminism” Feminist Art Theory . Ed.
Hillary Robinson. (Blackwells: UK, 2001)
“Virtually Embodied,” The Multiple Mutable Subject. St. Norberts Contemporary
Art Center, Winnipeg, Canada.
“Die Vulva mit Einem Kleinen Unterschied” Politiken des Sexuellen Ed. Doris
Guth, et al (Turia & Kant, Vienna, Austria. 2000).
1998 “Work at Home/Home at Work,” READ ME, Autonomedia Books.
1997 “As Above, So Below.” (with CAE) Flesh Machine, (Critical
Art Ensemble), NY: Autonomedia Books.
1994
“The Feminist Art Programs at Fresno and CalArts, l970-75.” The Power
of Feminist Art, Ed.
Norma Broude and Mary Garrard. New York: Harry N. Abrams.
1989
“The Feminist Art Movement Southern California Style, l970-80.” Yesterday and
Tomorrow: California Women Artists. New York: MidMarch Arts Press.
l975
“Waiting.” (Performance Script) Judy Chicago, Through the Flower. NY: Doubleday.
Articles
in Journals:
2002
“Situating Cyberfeminisms,” (with Maria Fernandez) Debats, 2002, Valencia, Spain
(illustrated profile of Wilding and subRosa work).
“Gestohlene Rhetorik: Die Aneignung der Wahl durch die Art Industrien,” Kunstforum
International, January-March 2002, Volume 158.
2001 “Economies of ART (Assisted Reproductive Technologies),” nparadoxa
#8, London, Summer, 2001 (6 page text/image).
1999 - 2000
“Don’t Tell Anyone We Did It,” Documents, Summer 1999.
“Roundtable on the State of Feminism,” Art Journal, Winter, 2000.
“Notes Toward the Political Condition of Cyberfeminism” (with Critical Art Ensemble)
CAA, Art Journal, NY, Summer, l998, The Cyberfeminist Reader
“Where is the Feminism in Cyberfeminism?”, nparadoxa N.3 , London, Summer issue
on Women in New Media.
“Duration Performance: The Art of Feminized Maintenance Work,” on-line publication
for Intertwinedness II at Ars Electronica Center, Linz, Austria.
1997
“As Above, So Below.” Left Curve. No.21. San Francisco.
“Material Realities.” Catalog essay for “Between the Acts,” New York: Art in
General.
1995
“Monstrous Domesticity.” M/E/A/N/I/N/G. #18. New York.
“(Teaching) Painting in the Age of Virtuality.” Painting. Cooper Union School
of Art publication.
1989
“Silence.” Contribution to “Forum on Art Discourses.” M/E/A/N/I/N/G #5. New
York.
“Blood and Milk: Musings on the Wound and the Breast.” M/E/A/N/I/N/G #6. New
York.
“Cunts, Quilts, Consciousness.” (with Miriam Schapiro) Heresies #24, (l2th Anniversary
Issue). New York.
1988 “Remembering Gran.” Heresies #23 (Coming of Age). New
York.
1984 “Female Role Models in Education.” Art and Artist. New
York.
1981 “Seed Works.” Heresies #13 (Feminism and Ecology). New
York.
1980 “How the West Was Won.” Women Artists News. New York.
1976 “A Needle in the Ass: Feminist Programs at Cal Arts.”
CalArts Alumni Publication, CA.
1974 “Waiting.” (Performance Script) Ms. New York.
Selected Bibliography (Articles, Catalogs, Reviews, and Reproductions of Artwork):
2003
Ault, Julie, Alternative Art New York 1965-1985. (Full Page Photo of “Womb Room”).
Anker, Suzanne and Dorothy Nelkin, The Molecular Gaze: Art in the genetic Age,
New York,Cold Spring Harbor Laboratory, (Images from “Embryoworld”).
Blocker, Jane, Bodies Sought and Doubted: Historiography and Performance Art,
Minnesota, University of Minnesota Press, (Photos and Texts of “Waiting”).
2000 “Die Verletzte Diva” Catalog, Innsbruck, Austria
1998
Review of Embryoworld, NYTimes, November, l998
Catalog essay for “Embryoworld”, Helen Molesworth, SUNY, Old Westbury
Reproduction and discussion of “Waiting” in Roselee Goldberg, Performance:Live
Art Since the l960’s , London:Thames and Hudson
1997
“Faith Wilding: Embryoworlds.”Kim Gladfelter. Terra Firma. (Catalog). The Art
Gallery, University of Maryland.
“One Place After Another: Notes on Site Specificity.” Miwon Kwon, October #80.
Boston: MIT
1996
Amelia Jones, Ed. Sexual Politics. (Catalog). Armand Hammer Museum: University
of California Press.
Meyer, Laura. Ed. Feminist Directions. (Catalog) Los Angeles: Sweeney Art Gallery,
University of California, Riverside.
1995
Yee, Lydia, Ed. Division of Labor: Women’s Work in Contemporary Art. (Catalog)
New York: The Bronx Museum of Art.
“Women’s Work is Sometimes Done.” M.G. Lord. NY Times, February l9, l995. (Photograph
and review of “Womb Room” and “Division of Labor” exhibition).
1994
Broude, Norma, and Garrard, Mary, Eds. The Power of Feminist Art, New York:
Abrams.(Color and B&W. reproductions, with texts and descriptions).
Sandler, Irving. American Art of the l970’s and l980’s. New York: Abrams. (Photos
and discussions of work).
“The Problem with Mike Kelley.” Terry Myers. New Art Examiner.
1993
Mahoney, Robert. “Immanent Domain.” (Catalog) New York: The Drawing Center.
Reviews of “Immanent Domain” in the Village Voice and The New Yorker.
1989
Gadon, Elinor. The Once and Future Goddess. New York: Harper and Row.
Malen, Lenore. Symbolism. New York: The Cooper Union. (Catalog)
1984 “Emerging Massachusetts Painters.” (Catalog) Boston: Boston
Museum of Fine Arts.
1983 Lippard, Lucy. Overlay. New York:Pantheon Books.
1983 Raven, Arlene. At Home. (Catalog ) Los Angeles: Long Beach
Museum of Art.
1982 Roth, Moira. A Star is Born: A Decade of Women’s Performance
Art. Los Angeles: Astro Artz.
1981 Women Look at Women: Feminist Art for the 80’s. Center
for the Arts, Muhlenberg College, Pennsylvania.
1980 Loeffler, Carl. Performance Anthology. San Francisco:
Contemporary Arts Press.
A Decade of Women’s Performance Art. (Catalog). Moira Roth.
1979 Loeb, Judy. Feminist Collage. New York: Teachers College
Press.
1978
“Towards A History of California Performance Art.” Moira Roth. Arts.
“Birds of Paradise.” Melinda Wortz (Catalog essay) University of California,
Irvine.
“Women Artists, Year 8.” (Catalog) Douglass College, Rutgers University.
1978 Reviews of By Our Own Hands in Artweek, Chrysalis, Library
Journal.
1977 “Feministische Kunst.” Kunstmagazin. Vol. l7. Nr.2. Mainz.
1975 Chicago, Judy. Through the Flower: My Struggle as A Woman
Artist. New York: Doubleday. (photos and text of “Waiting”).
Woman as Viewer. (Catalog) Winnipeg: Winnipeg Art Museum.
1972 Womanhouse. (Catalog). Los Angeles: California Institute
of the Arts. Time Magazine. Article on Womanhouse.
Selected Lectures, Panels, Symposia, Residencies: (invitational)
2003
“Art, Activism, Biotechnology,” Lecture, La Salle-SIA College of the Arts, Singapore.
“Art Meets Bio-Science: Methodology and Ethics of Interdisciplinary Work,”Lecture,
University Scholars Programme Seminar, National University of Singapore.
“MatriXial Technologies.” (subRosa residency) National University of Singapore,
and LaSalle-SIA College of the Arts, Singapore.
“Art, Science, Cyberfeminism,” SUNY, Fredonia.
“Biopower Unlimited”, Version 3 Tactical Media Convergence, Museum of Contemporary
Art, Chicago.
2002
“Domain Errors: Cyberfeminist Practices,” Cooper Union, New York.
Panelist: ArtScience.Vienna. Wissenschafts Institute, Vienna.
“BioPower and Cultures of Technology,” panel talk, BGSU Ohio.
“Cyborg Citizen,” a conversation with Chris Hables Gray, Public Netbase, Vienna.
“SubRosa’s performing of reproduction,” Sofatalk for the Cultural Ministry,
Vienna.
2001
“Performing Reproduction,” CAA Biotech panel presentation, Chicago.
Artist Residency, Lasalle-SIA College of Art, Singapore (10 days).
“Knowing Bodies” residency, St. Norberts Art And Cultural Center, Winnipeg,
Canada. Exhibition, Lecture, Workshop, video screening.
“Cyberfeminist Art and Activism/subRosa,” paper and panel for Female Takeover,
ARS Electronica Festival, Linz, Austria.
“The Art of Data Maintenance,” paper for Welcome to the Revolution Symposium,
Art and Design Institute Zurich.
“Performing Reproduction,” paper given at Akademie dB Kuenste, Vienna; Techniques
of Cyberfeminism Lab,
Thealit, Bremen, and Very Cyberfeminist Conference, Hamburg, Germany.
2000
“Performing Enhanced Reproduction,” Performative Sites Symposium, Penn State,
College Park.
“Feminism/Cyberfeminism,” International Women’s University, Hannover, Germany.
“Hybrid Art Making,” Regina Miller Gallery, Carnegie Mellon.
“Feminism/Postfeminism,” 3 NEA lectures, Univ. of Montana, and for Art History
Department, UCLA, Los Angeles.
“Demo or Die,” Panel, SUNY, Buffalo (on subRosa).
“Hysterical Biotechnologies,” Taxispalais, Innsbruck, Austria.
1999
“The Multiple & Mutable Subject” Symposium moderator and speaker. St. Norbert’s
Art Center, Winnipeg.
“Cyberfeminism and Biotechnologies”, Zagreb, Croatia.
“Synworld Symposium”, (moderator) Public Netbase, Vienna.
“Performing Housekeeping in Utopia”, panel, Spaces Symposium, CUNY Grad School,
NY, and Rensselear Institute for Technology.
“Women, Health, and Biotechnology, panel, Carlow College, Pgh.
“Xcess Feminism” Frauenkulturhaus, Bremen, Germany.
Presentations on cyberfeminism, Second Cyberfeminist International, Rotterdam
, and Next Five Minutes Tactical Media Festival Amsterdam.
1998
“The Art of Feminist Maintenance Work”, Ars Electronica Center, Linz.
“Duration Performance and Cyberfeminism.” Lecture, AIR Gallery, NY.
“Cyberfeminism and Feminist Art”, Kunsthochschule, Vienna, Austria
“Feminist Art and Pedagogy” Lecture, workshops, California Institute of the
Arts, Los Angeles, CA.
1997
Invited participant, First Cyberfeminist International (residency) atDocumenta
X, Kassel, Germany
“Between the Acts.” Panel, Art In General, NYC.
“Embryoworld.”Lecture, University of Maryland, College Park, MD.
“Feminist Theory and Art Practice.” Panel, University of Maryland, College Park,
DC.
“My Work.” Lecture, School of Fine Art, New York University, NY.
“Resistant Somatics: Medieval Women Mystics.” Lecture, Carlow College, Pittsburgh.
1996
“Flesh Machine.” Lecture, Carlow College, Pittsburgh, PA.
“Rethinking Essentialism and Difference.” Symposium lecture and panelist, University
of California, Los Angeles, CA.
“Fashions of Feminism.” Lecture and 5-day Residency, Reed College, Portland,
Oregon.
“The Politics of Art and Community.” Lecture and Panel, Andy Warhol Museum,
Pittsburgh, PA.
“Resistant Women Mystics: The Works of Hildegard von Bingen.” Lecture/Performance,
University of Alabama, Florence, Alabama.
1995
“Feminist Art and Community.” Lecture, Carnegie Mellon University, Pittsburgh.
“Hildegard and I.” Audio presentation, Tisch School of the Arts, New York University,
NY.
“Feminist Theory in Visual Practice.” Lecture, CUNY Graduate Seminar in Cultural
Criticism, CUNY, New York.
“The House Project.” One-week residency and collaborative Project sponsored
by the Museum of Contemporary Art, Los Angeles, CA.
“Feminist Art into the 90’s.” Lecture, MOMA, Los Angeles, CA.
l994
“My Work.” Lecture, Parsons School of Design, New York.
“Feminist Art 70s-90s.” Panel, Cooper Union School of Art, New York.
l993
“Recombinant Bodies.” Lecture, Drawing Centre, New York.
“Feminist Art Histories Redux.” Panel, Drawing Center, New York.
l992
“My Work.” Lecture, School of Visual Art, New York.
l989
“Feminist Transgressions (Tracing Bataille).”Lecture and Panel for the College
Art Association, New York.
l987
“Feminist Trajectories.” Lecture, Mills College, Oakland, CA
Women Artists Conference. Lecturer, Panelist, Presenter. Fresno, California.
“History of Feminist Art.” Lecture. Forum, Warsaw, Poland.
l986 “Mentoring.” Panelist. College Art Association, Boston,
MA.
l984 “Feminist Art.” Panelist, School of Visual Arts, New York.
l983
Lecture and 2-Day Residency at Rhode Island School of Design, Providence, RI.
“Feminist Art Movement.” Lecture, DAAD, Berlin, Germany.
l982 “Women Artists in Southern California.” Seminar, Art Department,
University of California, Los Angeles, CA.
l981 “Women in Art History.” Lecture, Claremont Men’s College,
CA.
l980
“Women’s Performance Art.” Panel, CAA, New York City.
“On My Work.” Lecture, University of Massachussetts, Amherst,MA.
l979
Faculty Seminar on the Education of Women. Seminar Leader. Occidental College,
Los Angeles, CA.
l978
“Feminist Art and Activism.” Residency and lectures. University of New Mexico,
Albuquerque, NM.
“Feminist Art Workshops.” Residency and lectures, University of Texas, Austin,
TX.
“Female Mythology in Art. Lecture. Calif. State University, Dominguez Hills,
CA.
“The Great Goddess.” Lecture and performance. UC Santa Cruz. CA
l977
“Feminist Art Workshops.” Residency and lectures. Kansas City Art Institute,
Missouri.
“The Feminist Art Movement.” lecture, San Francisco Art Institute, CA
l975
3-Day Residency, Radio interviews, and lectures. University of Manitoba, Winnipeg,
Canada.
l973
“Feminist Art Programs.” Lecture, UC Irvine, CA.
“My Work.” Lecture, UC Santa Barbara, CA.
l971-72 Numerous community lectures and presentations around
California with members of the Fresno Feminist Art Program.
Grants, Commissions, and Awards:
2002 Creative Capital Grant, Emerging Fields, (subRosa).
2001 Pennsylvania Council for the Arts grant, Performance,
(subRosa).
2001 Expo EmmaGenics, commissioned by Intermediale, Mainz,
Germany
2000 Digital Secrets Commission, ASU, Tempe, Arizona.
1998 Pennsylvania Council on the Arts Grant for works on paper
(individual)
l992 NEA Individual Media Grant for Drift(hers): A Radio Romance.
l990 NEH Media Fellowship (with Everett Frost) for radio series
Soundplay, broadcast nationally on NPR and in Europe.
l983 NEA and California Arts Council Grants for SoundArt radio
series. (with Everett Frost).
l987 NEA Grants (with Everett Frost) for The Beckett Festival
of Radio Plays.
l988 NY State Foundation for the Arts Fellowship in Artist
Books.
l988 NEA Individual Media Grant for radio drama “Hildegard
and I,” broadcast nationally by NPR.
l987 Commission for radio drama “Hildegard und Ich,” from WDR
Cologne, and RIAS Berlin. Broadcast in Germany and Austria.
l987 Visiting Artist Residency, Warsaw, Poland.
l984 Massachussetts Artist Fellow.
l976 California Arts Council Grant for By Our Own Hands.
l971-73 Graduate Fellowship, California Institute of the Arts,
CA.
l968 NDEA Undergraduate Fellowship.
As Producer/Presenter:
l997-98 Carnegie Mellon Visiting Artist Series.
l996-97 Vermont College Visiting Lecture Series.
l993-94 Vermont College Visiting Lecture Series.
l993 Parson’s School of Fine Arts Visiting Lecture Series.
l994-95 Interdisciplinary Seminar Visiting Lecture Series,
Cooper Union.
l982-83 Claremont Graduate School Visiting Artist Series.
Professional Memberships, Advisory Boards, Panelist:
College Art Association Member
Panelist: NEA, Media Division (l989) NEH, Media Division (l992)
© 2002 Faith Wilding
All rights reserved.